In this gripping literary horror, Case’s best friend Drea goes missing, forcing her into a bizarre, cultlike—and possibly murderous world—perfect for fans of The Honeys and Mexican Gothic. Something bad happened here. When Case arrives at a run-down, ivy-covered house tucked deep in the West Texas woods, an ashy haze lingers in the air and the sky is tissue-paper pink. Her best friend Drea has been living here with a few classmates Case has never met, and Drea asked her to visit in a letter dated two weeks ago. But now Drea is nowhere to be found. Drea’s roommates can’t—or won’t—answer questions, leaving Case to search alone. She finds bits of Drea’s journal hidden in the tiles of the bathroom wall, in a beat-up cooler by the muddy river, wedged into the frame of her closet door. As Case pieces together Drea’s life in this strange house, the roommates’ behavior puts her...

“Move over, Louisa May Alcott! Samantha Mabry has written her very own magical Little Women for our times.” —Julia Alvarez, author of How the García Girls Lost Their Accents In a stunning follow-up to her National Book Award-longlisted novel All the Wind in the World, Samantha Mabry weaves an aching, magical novel that is one part family drama, one part ghost story, and one part love story. The Torres sisters dream of escape. Escape from their needy and despotic widowed father, and from their San Antonio neighborhood, full of old San Antonio families and all the traditions and expectations that go along with them. In the summer after her senior year of high school, Ana, the oldest sister, falls to her death from her bedroom window. A year later, her three younger sisters, Jessica, Iridian, and Rosa, are still consumed by grief and haunted by their sister’s memory. Their dream of leaving...