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<title>James Ellroy - Free Library Land Online - Self Help</title>
<link>https://self-help.library.land/</link>
<language>ru</language>
<description>James Ellroy - Free Library Land Online - Self Help</description>
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<title>The Black Dahlia</title>
<guid isPermaLink="true">https://self-help.library.land/james-ellroy/47083-the_black_dahlia.html</guid>
<link>https://self-help.library.land/james-ellroy/47083-the_black_dahlia.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/james-ellroy/the_black_dahlia.jpg"><img src="https://picture.graycity.net/img/james-ellroy/the_black_dahlia_preview.jpg" class="fr-fic fr-dib" title ="The Black Dahlia" alt ="The Black Dahlia"/></a><br//>The Black Dahlia is a roman noir on an epic scale: a classic period piece that provides a startling conclusion to America's most infamous unsolved murder mystery--the murder of the beautiful young woman known as The Black Dahlia.]]></description>
<category><![CDATA[James Ellroy / Literature &amp; Fiction / Mystery &amp; Thrillers]]></category>
<dc:creator></dc:creator>
<pubDate>Tue, 20 Oct 1987 18:43:12 +0300</pubDate>
</item><item>
<title>American Tabloid</title>
<guid isPermaLink="true">https://self-help.library.land/james-ellroy/47075-american_tabloid.html</guid>
<link>https://self-help.library.land/james-ellroy/47075-american_tabloid.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/james-ellroy/american_tabloid.jpg"><img src="https://picture.graycity.net/img/james-ellroy/american_tabloid_preview.jpg" class="fr-fic fr-dib" title ="American Tabloid" alt ="American Tabloid"/></a><br//>CHOSEN BY TIME MAGAZINE AS ONE OF <br />
THE TEN BEST BOOKS OF THE YEAR<br />
"ONE HELLISHLY EXCITING RIDE."<br />
--Detroit Free Press<br />
The '50s are finished. Zealous young senator Robert Kennedy has a red-hot jones to nail Jimmy Hoffa. JFK has his eyes on the Oval Office. J. Edgar Hoover is swooping down on the Red Menace. Howard Hughes is dodging subpoenas and digging up Kennedy dirt. And Castro is mopping up the bloody aftermath of his new communist nation.<br />
"HARD-BITTEN. . . INGENIOUS. . . ELLROY SEGUES INTO POLITICAL INTRIGUE WITHOUT MISSING A BEAT."<br />
--The New York Times<br />
In the thick of it: FBI men Kemper Boyd and Ward Littell. They work every side of the street, jerking the chains of made men, street scum, and celebrities alike, while Pete Bondurant, ex-rogue cop, freelance enforcer, troubleshooter, and troublemaker, has the conscience to louse it all up.<br />
"VASTLY ENTERTAINING."<br />
--Los Angeles Times<br />
Mob bosses, politicos, snitches, psychos, fall guys, and femmes fatale. They're mixing up a molotov cocktail guaranteed to end the country's innocence with a bang. Dig that crazy beat: it's America's heart racing out of control. . . .<br />
"A SUPREMELY CONTROLLED WORK OF ART."<br />
--The New York Times Book Review  
<em>From the Paperback edition.</em>]]></description>
<category><![CDATA[James Ellroy  / Literature &amp; Fiction  / Mystery &amp; Thrillers]]></category>
<dc:creator></dc:creator>
<pubDate>Fri, 20 Oct 1995 18:43:11 +0200</pubDate>
</item><item>
<title>White Jazz</title>
<guid isPermaLink="true">https://self-help.library.land/james-ellroy/47084-white_jazz.html</guid>
<link>https://self-help.library.land/james-ellroy/47084-white_jazz.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/james-ellroy/white_jazz.jpg"><img src="https://picture.graycity.net/img/james-ellroy/white_jazz_preview.jpg" class="fr-fic fr-dib" title ="White Jazz" alt ="White Jazz"/></a><br//>Los Angeles, 1958. Killings, beatings, bribes, shakedowns--it's standard procedure for Lieutenant Dave Klein, LAPD. He's a slumlord, a bagman, an enforcer--a power in his own small corner of hell. Then the Feds announce a full-out investigation into local police corruption, and everything goes haywire.  
Klein's been hung out as bait, "a bad cop to draw the heat," and the heat's coming from all sides: from local politicians, from LAPD brass, from racketeers and drug kingpins--all of them hell-bent on keeping their own secrets hidden. For Klein, "forty-two and going on dead," it's dues time.  
Klein tells his own story--his voice clipped, sharp, often as brutal as the events he's describing--taking us with him on a journey through a world shaped by monstrous ambition, avarice, and perversion. It's a world he created, but now he'll do anything to get out of it alive.  
Fierce, riveting, and honed to a razor edge, <strong>White Jazz</strong> is crime fiction at its most shattering.]]></description>
<category><![CDATA[James Ellroy   / Literature &amp; Fiction   / Mystery &amp; Thrillers]]></category>
<dc:creator></dc:creator>
<pubDate>Tue, 20 Oct 1992 18:43:12 +0200</pubDate>
</item><item>
<title>Perfidia</title>
<guid isPermaLink="true">https://self-help.library.land/james-ellroy/47076-perfidia.html</guid>
<link>https://self-help.library.land/james-ellroy/47076-perfidia.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/james-ellroy/perfidia.jpg"><img src="https://picture.graycity.net/img/james-ellroy/perfidia_preview.jpg" class="fr-fic fr-dib" title ="Perfidia" alt ="Perfidia"/></a><br//>The Japanese have bombed Pearl Harbor. The United States teeters on the edge of war. The roundup of allegedly treasonous Japanese Americans is about to begin. And in L.A., a Japanese family is found dead. Murder or ritual suicide? The investigation will draw four people into a totally Ellroy-ian tangle: a brilliant Japanese American forensic chemist; an unsatisfiably adventurous young woman; one police officer based in fact (William H. "Whiskey Bill" Parker, later to become the groundbreaking chief of the LAPD), the other the product of Ellroy's inimitable imagination (Dudley Smith, arch villain of <em>The Big Nowhere, L.A. Confidential, White Jazz</em>). As their lives intertwine, we are given a story of war and of consuming romance, a searing exposé of the Japanese internment, and an astonishingly detailed homicide investigation. In <em>Perfidia</em>, Ellroy delves more deeply than ever before into his characters' intellectual and emotional lives. But it has the full-strength, unbridled story-telling audacity that has marked all the acclaimed work of the <em>Demon Dog of American Crime Fiction</em>.]]></description>
<category><![CDATA[James Ellroy    / Literature &amp; Fiction    / Mystery &amp; Thrillers]]></category>
<dc:creator></dc:creator>
<pubDate>Mon, 20 Oct 2014 18:43:11 +0300</pubDate>
</item><item>
<title>Crime Wave: Reportage and Fiction From the Underside of L.A.</title>
<guid isPermaLink="true">https://self-help.library.land/james-ellroy/47088-crime_wave_reportage_and_fiction_from_the_underside_of_la_.html</guid>
<link>https://self-help.library.land/james-ellroy/47088-crime_wave_reportage_and_fiction_from_the_underside_of_la_.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/james-ellroy/crime_wave_reportage_and_fiction_from_the_underside_of_la_.jpg"><img src="https://picture.graycity.net/img/james-ellroy/crime_wave_reportage_and_fiction_from_the_underside_of_la__preview.jpg" class="fr-fic fr-dib" title ="Crime Wave: Reportage and Fiction From the Underside of L.A." alt ="Crime Wave: Reportage and Fiction From the Underside of L.A."/></a><br//>Los Angeles.  In no other city do sex, celebrity, money, and crime exert such an irresistible magnetic field.  And no writer has mapped that field with greater savagery and savvy than James Ellroy.  With this fever-hot collection of reportage and short fiction, he returns to his native habitat and portrays it as a smog-shrouded netherworld where"every third person is a peeper, prowler, pederast, or pimp."  
From the scandal sheets of the 1950s to this morning's police blotter, Ellroy reopens true crimes and restores human dimensions to their victims.  Sublimely, he resurrects the rag <em>Hush-Hush</em> magazine.  And in a baroquely plotted novella of slaughter and corruption he enlists the forgotten luminaries of a lost Hollywood.  Shocking, mesmerizing, and written in prose as wounding as an ice pick, <strong>Crime Wave</strong> is Ellroy at his best.]]></description>
<category><![CDATA[James Ellroy     / Literature &amp; Fiction     / Mystery &amp; Thrillers]]></category>
<dc:creator></dc:creator>
<pubDate>Wed, 20 Oct 1999 18:43:13 +0300</pubDate>
</item><item>
<title>Because the Night</title>
<guid isPermaLink="true">https://self-help.library.land/james-ellroy/47081-because_the_night.html</guid>
<link>https://self-help.library.land/james-ellroy/47081-because_the_night.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/james-ellroy/because_the_night.jpg"><img src="https://picture.graycity.net/img/james-ellroy/because_the_night_preview.jpg" class="fr-fic fr-dib" title ="Because the Night" alt ="Because the Night"/></a><br//>A botched liquor store heist leaves three grisly dead. A hero cop is missing. Nobody could see a pattern in these two stray bits of information–no one except Detective Sergeant Lloyd Hopkins, a brilliant and disturbed L.A. cop with an obsessive desire to protect the innocent. To him they lead to one horrifying conclusion--a killer is on the loose and preying on his city. From the master of L.A. noir comes this beautiful and brutal tale of a cop and a criminal squared off in a life and death struggle.]]></description>
<category><![CDATA[James Ellroy      / Literature &amp; Fiction      / Mystery &amp; Thrillers]]></category>
<dc:creator></dc:creator>
<pubDate>Sat, 20 Oct 1984 18:43:12 +0300</pubDate>
</item><item>
<title>Blood&#039;s a Rover</title>
<guid isPermaLink="true">https://self-help.library.land/james-ellroy/47078-bloods_a_rover.html</guid>
<link>https://self-help.library.land/james-ellroy/47078-bloods_a_rover.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/james-ellroy/bloods_a_rover.jpg"><img src="https://picture.graycity.net/img/james-ellroy/bloods_a_rover_preview.jpg" class="fr-fic fr-dib" title ="Blood's a Rover" alt ="Blood's a Rover"/></a><br//>The final part of James Ellroy's 'Underworld USA' trilogy is set during the social and political upheaval of 1968-72.]]></description>
<category><![CDATA[James Ellroy       / Literature &amp; Fiction       / Mystery &amp; Thrillers]]></category>
<dc:creator></dc:creator>
<pubDate>Tue, 20 Oct 2009 18:43:11 +0300</pubDate>
</item><item>
<title>The Cold Six Thousand: Underworld USA 2</title>
<guid isPermaLink="true">https://self-help.library.land/james-ellroy/47080-the_cold_six_thousand_underworld_usa_2.html</guid>
<link>https://self-help.library.land/james-ellroy/47080-the_cold_six_thousand_underworld_usa_2.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/james-ellroy/the_cold_six_thousand_underworld_usa_2.jpg"><img src="https://picture.graycity.net/img/james-ellroy/the_cold_six_thousand_underworld_usa_2_preview.jpg" class="fr-fic fr-dib" title ="The Cold Six Thousand: Underworld USA 2" alt ="The Cold Six Thousand: Underworld USA 2"/></a><br//><strong>The Black Dahlia</strong>, <strong>The Big Nowhere</strong>, <strong>L.A. Confidential</strong>, <strong>White Jazz</strong>, <strong>American Tabloid</strong>... James Ellroy's high-velocity, best-selling novels have redefined noir for our age, propelling us within inches of the dark realities of America's recent history. Now, in <strong>The Cold Six Thousand</strong>, his most ambitious and explosive novel yet, he puts the whole of the 1960s under his blistering lens. The result is a work of fierce, epic fiction, a speedball through our most tumultuous time.<br />
It begins in Dallas. November 22, 1963. The heart of the American Dream detonated.  
Wayne Tedrow Jr., a young Vegas cop, arrives with a loathsome job to do. He's got $6,000 in cash and no idea that he is about to plunge into the cover-up conspiracy already brewing around Kennedy's assassination, no idea that this will mark the beginning of a hellish five-year ride through the private underbelly of public policy.  
Ellroy's furiously paced narrative tracks Tedrow's ride: Dallas back to Vegas, with the Mob and Howard Hughes, south with the Klan and J. Edgar Hoover, shipping out to Vietnam and returning home, the bearer of white powder, plotting new deaths as 1968 approaches ...<br />
Tedrow stands witness, as the icons of an iconic era mingle with cops, killers, hoods, and provocateurs. His story is ground zero in Ellroy's stunning vision: historical confluence as American Nightmare.  
<strong>The Cold Six Thousand </strong>is a masterpiece.]]></description>
<category><![CDATA[James Ellroy        / Literature &amp; Fiction        / Mystery &amp; Thrillers]]></category>
<dc:creator></dc:creator>
<pubDate>Sat, 20 Oct 2001 18:43:12 +0300</pubDate>
</item><item>
<title>My Dark Places</title>
<guid isPermaLink="true">https://self-help.library.land/james-ellroy/47089-my_dark_places.html</guid>
<link>https://self-help.library.land/james-ellroy/47089-my_dark_places.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/james-ellroy/my_dark_places.jpg"><img src="https://picture.graycity.net/img/james-ellroy/my_dark_places_preview.jpg" class="fr-fic fr-dib" title ="My Dark Places" alt ="My Dark Places"/></a><br//>"Astonishing . . . original, daring, brilliant." <br />
--Philadelphia Inquirer  
In 1958 Jean Ellroy was murdered, her body dumped on a roadway in a seedy L.A. suburb.  Her killer was never found, and the police dismissed her as a casualty of a cheap Saturday night. James Ellroy was ten when his mother died, and he spent the next thirty-six years running from her ghost and attempting to exorcize it through crime fiction. In 1994, Ellroy quit running.  He went back to L.A., to find out the truth about his mother--and himself.     
In My Dark Places, our most uncompromising crime writer tells what happened when he teamed up with a brilliant homicide cop to investigate a murder that everyone else had forgotten--and reclaim the mother he had despised, desired, but never dared to love. What ensues is a epic of loss, fixation, and redemption, a memoir that is also a history of the American way of violence.   
"Ellroy is more powerful than ever." <br />
--The Nation    
<em>From the Trade Paperback edition.</em>]]></description>
<category><![CDATA[James Ellroy         / Literature &amp; Fiction         / Mystery &amp; Thrillers]]></category>
<dc:creator></dc:creator>
<pubDate>Sun, 20 Oct 1996 18:43:13 +0300</pubDate>
</item><item>
<title>Shakedown</title>
<guid isPermaLink="true">https://self-help.library.land/james-ellroy/47077-shakedown.html</guid>
<link>https://self-help.library.land/james-ellroy/47077-shakedown.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/james-ellroy/shakedown.jpg"><img src="https://picture.graycity.net/img/james-ellroy/shakedown_preview.jpg" class="fr-fic fr-dib" title ="Shakedown" alt ="Shakedown"/></a><br//>James Ellroy is an American original of the most profane order. The bestselling author of the <em>noir</em> classics <em>L.A. Confidential, The Black Dahlia,</em> and <em>The Cold Six Thousand</em>, he has been hailed by the <em>Los Angeles Times</em> as "one of the best writers of our era." A self-proclaimed Luddite, Ellroy is turning to technology for the first time with the publication of Shakedown, a novella released by the digital publisher Byliner. In it, Ellroy is as frenetically depraved as ever, minting an antihero who is a cad for the ages.  
Meet Freddy Otash: a corrupt cop turned sleaze hustler, extortionist, pimp, and an actual historical figure who made the 1950s magazine <em>Confidential</em> the go-to source for the sins of the rich and famous. In his prime, Freddy raised hell, and in the pages of <em>Shakedown</em> he finds himself stuck in purgatory—-literally—-waiting for a transfer to heaven. Will he make it there, or will fate keep him down below? Promised redemption if he confesses his past sins and transgressions, Freddy writes a tell-all peopled by Hollywood greats like Elizabeth Taylor, Marilyn Monroe, John Wayne, and James Dean (to name a few) who are up to all sorts of wrong. Threesomes, foursomes, you name it—-anything goes in this licentious world.  
<em>Shakedown</em> explodes the postwar America of June and Ward Cleaver, breathing randy new life into the man who whetted our national appetite for sex and scandal. Freddy's lack of scruples—-and lack of morality—-make today's gossip culture seem almost innocent. What's true and what's fiction? Ellroy's certainly not telling.]]></description>
<category><![CDATA[James Ellroy          / Literature &amp; Fiction          / Mystery &amp; Thrillers]]></category>
<dc:creator></dc:creator>
<pubDate>Sat, 20 Oct 2012 18:43:11 +0300</pubDate>
</item><item>
<title>Blood on the Moon</title>
<guid isPermaLink="true">https://self-help.library.land/james-ellroy/47086-blood_on_the_moon.html</guid>
<link>https://self-help.library.land/james-ellroy/47086-blood_on_the_moon.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/james-ellroy/blood_on_the_moon.jpg"><img src="https://picture.graycity.net/img/james-ellroy/blood_on_the_moon_preview.jpg" class="fr-fic fr-dib" title ="Blood on the Moon" alt ="Blood on the Moon"/></a><br//>Detective Sergeant Lloyd Hopkins can’t stand music, or any loud sounds. He’s got a beautiful wife, but he can’t get enough of other women. And instead of bedtime stories, he regales his daughters with bloody crime stories. He’s a thinking man’s cop with a dark past and an obsessive drive to hunt down monsters who prey on the innocent.   
Now, there’s something haunting him. He sees a connection in a series of increasingly gruesome murders of women committed over a period of twenty years. To solve the case, Hopkins will dump all the rules and risk his career to make the final link and get the killer.]]></description>
<category><![CDATA[James Ellroy           / Literature &amp; Fiction           / Mystery &amp; Thrillers]]></category>
<dc:creator></dc:creator>
<pubDate>Sat, 20 Oct 1984 18:43:12 +0300</pubDate>
</item><item>
<title>Suicide Hill</title>
<guid isPermaLink="true">https://self-help.library.land/james-ellroy/47074-suicide_hill.html</guid>
<link>https://self-help.library.land/james-ellroy/47074-suicide_hill.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/james-ellroy/suicide_hill.jpg"><img src="https://picture.graycity.net/img/james-ellroy/suicide_hill_preview.jpg" class="fr-fic fr-dib" title ="Suicide Hill" alt ="Suicide Hill"/></a><br//>Detective Sergeant Lloyd Hopkins is the most brilliant homicide detective in the Los Angeles Police Department and one of its most troubled. In his obsessive mission to protect the innocent, there is no line he won’t cross. Estranged from his wife and daughters and on the verge of being drummed out of the department for his transgressions, Hopkins is assigned to investigate a series of bloody bank robberies. As the violence escalates and the case becomes ever more vicious, Hopkins will be forced to cross the line once again to stop a maniac on a murder binge.]]></description>
<category><![CDATA[James Ellroy            / Literature &amp; Fiction            / Mystery &amp; Thrillers]]></category>
<dc:creator></dc:creator>
<pubDate>Mon, 20 Oct 1986 18:43:11 +0300</pubDate>
</item><item>
<title>The Enchanters</title>
<guid isPermaLink="true">https://self-help.library.land/james-ellroy/689367-the_enchanters.html</guid>
<link>https://self-help.library.land/james-ellroy/689367-the_enchanters.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/james-ellroy/the_enchanters.jpg"><img src="https://picture.graycity.net/img/james-ellroy/the_enchanters_preview.jpg" class="fr-fic fr-dib" title ="The Enchanters" alt ="The Enchanters"/></a><br//><b>James Ellroy&mdash;Demon Dog of American Letters&mdash;goes straight to the tragic heart of 1962 Hollywood with a wild riff on the Marilyn Monroe death myth in an astonishing, behind-the-headlines crime epic.</b><br>Los Angeles, August 4, 1962. The city broils through a midsummer heat wave. Marilyn Monroe ODs. A B-movie starlet is kidnapped. The overhyped LAPD overreacts. Chief Bill Parker&rsquo;s looking for some getback. The Monroe deal looks like a moneymaker. He calls in Freddy Otash.&nbsp;<br>The freewheeling Freddy O: tainted ex-cop, defrocked private eye, dope fiend, and freelance extortionist. A man who lives by the maxim &ldquo;Opportunity is love.&rdquo; Freddy gets to work. He dimly perceives Marilyn Monroe&rsquo;s death and the kidnapped starlet to be a poisonous riddle that only he has the guts and the brains to untangle. We are with him as he tears through all those who block his path to the truth. We are with him as he penetrates the <i>faux</i>-sunshine of Jack...]]></description>
<category><![CDATA[James Ellroy             / Literature &amp; Fiction             / Mystery &amp; Thrillers]]></category>
<dc:creator></dc:creator>
<pubDate>Sat, 15 Jul 2023 09:55:28 +0300</pubDate>
</item><item>
<title>Clandestine</title>
<guid isPermaLink="true">https://self-help.library.land/james-ellroy/585855-clandestine.html</guid>
<link>https://self-help.library.land/james-ellroy/585855-clandestine.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/james-ellroy/clandestine.jpg"><img src="https://picture.graycity.net/img/james-ellroy/clandestine_preview.jpg" class="fr-fic fr-dib" title ="Clandestine" alt ="Clandestine"/></a><br//><b>In James Ellroy's riveting second novel, an ambitious beat cop is hot on the trail of a serial killer who frequents L.A. dive bars and preys on the fallen women he finds there.</b><br>Los Angeles, 1951. For officer Fred Underhill, the job is all about the wonder, an elusive quality he finds in L.A.'s seedy underbelly. He spends his off-duty hours playing golf and chasing women. But then a grim opportunity arises that consumes Underhill: a serial killer whose capture might make his career. This hungry rookie will have to wheel and deal with some of the force's most unscrupulous officers to prove his worth, and when the case goes sideways and fast, the eyes of the very law he serves will be trained on him. Cast aside and left with nothing, not even his unsullied love for a bright-eyed DA, Underhill has no choice but to pick up the trail of the soulless killer and close the case himself. The author says of <i>Clandestine</i>: "It's a wild ride of a book. It's got golf, police...]]></description>
<category><![CDATA[James Ellroy              / Literature &amp; Fiction              / Mystery &amp; Thrillers]]></category>
<dc:creator></dc:creator>
<pubDate>Fri, 02 Apr 2021 01:16:38 +0300</pubDate>
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